Can you share a bit about your journey as an artist? How did you get into creating digital art, and what inspires your work?

I’ve always been drawn to the chaotic side of digital art. Glitches, broken pixels, the raw energy of outdated tech. My work is about pushing against perfection, finding beauty in distortion, and turning errors into art. The inspiration comes from the underground, old-school hacking culture, early internet aesthetics, and the way technology decays over time.

How did you first discover Web3 and NFTs, and what excites you most about creating in this space?

I saw Web3 as a way to cut out the gatekeepers and put power back into the hands of artists. The idea that digital art could be owned, traded, and appreciated without middlemen trying to control the value hit hard. NFTs let artists build their own ecosystems where the work stands on its own, and collectors become part of the culture. The community, the experiments, the wild energy of early crypto art, that’s what hooked me.

What was your experience like collaborating with Miggles? How did this project challenge or inspire you creatively?

MIGGLES ON ASCII presented an opportunity to merge nostalgic aesthetics with the anarchic spirit of early digital subcultures. ASCII art is pure rawness, stripping visuals down to their most fundamental digital form. It’s punk, it’s chaotic, it’s unfiltered. The challenge was to translate a familiar character into a new medium without losing its essence, while also injecting my own signature energy into it. Working with Miggles allowed me to push ASCII art further, blending the past with the future.

Where do you see Web3 art going in the future, and how do you hope to be part of that evolution?

Web3 is just getting started. We’re going to see deeper integration with AI, on-chain generative art, and more immersive ways for artists to connect with their communities. The real question is whether we keep it decentralized or let corporations creep in and turn it into another soulless market. I want to be part of the resistance. To keep pushing glitch, pixel, and algorithm-driven art into places it hasn’t gone before. The goal is to make sure Web3 stays weird, chaotic, and artist-led.

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